![]() ![]() Part of her work in this final stage is subtraction - cloning out distracting fence posts and AC vents. Next, she turns to Photoshop for the finetuning. She generally begins in Lightroom with her favorite presets and some basic tonal adjustments. “I’m a big believer in Lightroom and Photoshop,” Hartmann said. This same attention to detail during shooting applies to the editing stage. “Even though I’m primarily a natural-light photographer, I need to have those tools and know how to use a flash so I can still deliver the quality of work that my couples expect and are paying for,” she explained. It is in those moments that Hartmann kicks into high-gear, creating her own golden hour using a flash modifier known as the MagSphere, a full CTO gel, a low f-stop, and a long, wide open lens. Of course, good weather and concrete schedules are never guaranteed. Doing so helps her capture the warm, romance-soaked images couples hire her for. When capturing images outdoors, she always aims for time with the couple around “golden hour,” when the sun is flirting with the horizon. And that is true whether a person is shooting in a hotel ballroom or at the foot of the Matterhorn. ![]() “A hundred million percent, lighting is the main thing,” Hartmann said. In the past, most of the weddings she shot took place at resorts and other types of event centers.īut when it comes to the difference between a great wedding photo and one that makes it into a frame and onto the couple’s mantle, she is adamant it all comes down to the same element. Hartmann got her start taking headshots before she moved into wedding photography. Having experience shooting in the great outdoors doesn’t hurt, but you don’t need to be a professional landscape photographer to thrive in this new era of wedding photography. Now she hears from couples who say, “Okay, if we can’t have the big wedding that we planned, then we want to create this really amazing adventure for us to celebrate our wedding day.” Back to basics “But people weren’t contacting me about it personally.” “Even before 2020, there was a budding genre of ‘adventure elopements,’” she said. She has also witnessed the rise of outdoor wedding scenes. Marlies Hartmann is a Santa Monica-based wedding photographer whose work has appeared in Vogue, Glamour, and Martha Stewart Weddings, among others. The subsequent rise in elopements and “minimonies” means that to shoot a wedding nowadays often entails wrangling more with nature than with big, boisterous families. Overnight the industry transformed as new restrictions shrunk parties and pushed even more weddings outside. Wedding photographers were already trailing after more and more starry-eyed couples through redwood forests and sand dunes before 2020 arrived. Everything you need to know to create jaw-dropping outdoor wedding photosĪ trendsetting wedding photographer breaks down her process for creating magical images using Lightroom and Photoshop. ![]()
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